Coleraine history

Coleraine History
Photo of Coleraine by Art Ward ©
 It is recorded that a chieftain called Nadslua gave Patricius (St. Patrick) a piece of land here to build a church, the ground was rough and covered with ferns, which is reflected in 'Corner of the Ferns', one of three translations of the name Coleraine. The other two being 'Ferry Corner' and 'Rath or Fort at the bend'  The present town hall replaced an early building constructed in the 1700s, the new building was designed by Thomas Turner and opened in 1859 to form the centrepiece of the Diamond. Surrounded by numerous period buildings, the Diamond is well worth seeing for its architectural value including the modern design of the Northern Bank. The market-style space has been in existence since 1610.
Photo of Coleraine by Art Ward ©

In front of the Town Hall stands a memorial to those lost during the two great wars, a bronze figure of a soldier in full battle dress stands resting his hand on the barrel of a rifle while below a beautiful bronze sculpture of the daughter of Erin wearing a long hooded cloak, reaches a wreath upwards towards the soldier, a fabulous work of classical art. On the far side of the hall, you'll find another bronze sculpture of Bertie Peacock, a famous local footballer, created by the artist Ross Wilson. On Kingsgate Street opposite the church, you will see a plaque to the Artist and Illustrator Hugh Thompson, his illustration appeared in many publications including gracing the pages of books by Jane Austen, Charles Dickens and J. M. Barrie.

Photo of Coleraine by Art Ward

A short walk from the town hall is St. Patrick' Church which was completed in 1885 and design by Thomas Drew, it stands on one of the oldest ecclesiastical sites in Ireland. St Patrick founded one of the first churches here in 456 AD, the grandson of the chieftain who gave him the original piece of land became the first Bishop of Coleraine. The church grounds are an oasis of peace and tranquillity in the centre of this pleasant and busy rural town and the architecture is superb. Behind the church and forming part of Anderson Park are the last visible remains of earthen ramparts which once surrounded this fortified town on four sides, the river forming one side.

The two main entrances to the town were by draw bridge which was closed at night, one was Kings Gate (Kingsgate Street) and the other Blind Gate (Blindgate Street). The town is similar in conception and origin to Londonderry where the fortifications were more elaborate and substantial as well as twice the size. King James 1st of England and VI of Scotland initiated the Plantation of Ulster in 1609 in an attempt to pacify and prevent further rebellion in Ireland, to aid this he turned to rich businessmen in London for their support. Sir Thomas Phillips was sent to survey County Coleraine (became County Londonderry in 1613) while the trade guilds formed into the Irish Societies who collectively agreed to support the Plantation of the county.
Photo of Coleraine by Art Ward ©

One of the objectives was to build two new towns, Coleraine and Londonderry. You will find other villages which were founded during the plantation including Articlave and Eglinton. Coleraine was chosen because it had a substantial Abbey, it was defensible and surrounded by fertile land and the river could be navigated. St. Mary's Abbey was abandoned by the Dominicans in 1556, it was acquired by Thomas Phillips for his residence during the building of Coleraine between 1605 and 1610, the abbey then became an educational facility given the status of a university by the Dominicans in 1644. The first bridge across the Bann was constructed out of local timber by the Anglo-Normans around 1250, they also built at the same time, Drumtarsey Castle which they garrisoned.

Photo of Coleraine by Art Ward

The castle was close to where the present-day Clothworker's Building is, this building and the wonderful bridge with its shallow elliptical arches were designed by the architect John Lynn. The bridge was constructed by George Maxwell out of dressed Scottish granite and completed in 1859. Up to this time and continuing afterwards was a ferry service across the river from Ferry Quay (Ferryquay Street) to the 'Wee Brae' at Killowen. The river once divided two counties and the town straddled both, this aided its development as a major source of commerce and administration from the plantation onwards. The town prospered from the involvement of the Honourable Irish Society and the plantation which is reflected in the quality of the buildings, administration and educational establishments.

Photo of Coleraine by Art Ward
The river although navigable was hindered by dangerous conditions at the Barmouth where sand bars and turbulent waters required expert seamanship to overcome. Many suggestions were put forward to remedy this situation including a canal system but with the construction of Portrush harbour in the 1830s, these ideas were abandoned and Portrush became the focal point for shipping. Coleraine started developing as a commercial harbour after work was undertaken at the Barmouth in the 1880s which created two long piers to protect the river entrance. With this in place, the harbour flourished but it still needed an experienced pilot service for shipping, this was and still is operated from Portstewart harbour.
Photo of Coleraine by Art Ward
Early settlers made their way up the river Bann until they encountered the rapids near Mountsandel Fort where they settled  close to the Salmon Leap or the Cutts, The present day man made structure was to facilitate the navigation of the river Bann from the ocean to Lough Neagh and on to Newry.  Coleraine is a University town, the extensive campus grounds on the outskirts provides educational facilities for 6000 students. The Riverside Theatre on campus offers a range of creative production from comedy and dance through to opera. Within the extensive grounds you'll find the Guy Wilson Daffodil Garden which provides one of the best displays of spring daffodils, including a collection of rare Irish-bred daffodils and narcissi.
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